Shirley MacLaine and Billy Wilder on the set of The Apartment, 1960. Photographed by John Hamilton.
“Ah the opportunities that come your way in the motion picture business - and this is only a rehearsal. Shirley MacLaine is an elevator operator. I am demonstrating what one of the passengers does to her in passing. She is overacting a little.” - Billy Wilder in LIFE May 30, 1960.
Billy Wilder on the set of ‘Sabrina’, photographed by Dennis Stock, 1954.
A luncheon hosted by George Cukor in his Hollywood mansion in honor of Luis Buñuel. From left to right, back row: Robert Mulligan, William Wyler, George Cukor, Robert Wise, Jean-Claude Carriere and Serge Silverman. In the front row, from left to right are: Billy Wilder, George Stevens, Luis Bunuel, Alfred Hitchcock, and Rouben Mamoulian.
Marlene Dietrich and Billy Wilder on the set of A Foreign Affair (1948).
An audience is never wrong. An individual member of it may be an imbecile, but a thousand imbeciles together in the dark - that is critical genius.
Happy Birthday Billy Wilder!
10 Screenwriting tips by Billy Wilder
- The audience is fickle.
- Grab ‘em by the throat and never let ‘em go.
- Develop a clean line of action for your leading character.
- Know where you’re going.
- The more subtle and elegant you are in hiding your plot points, the better you are as a writer.
- If you have a problem with the third act, the real problem is in the first act.
- A tip from Lubitsch: Let the audience add up two plus two. They’ll love you forever.
- In doing voice-overs, be careful not to describe what the audience already sees. Add to what they’re seeing.
- The event that occurs at the second act curtain triggers the end of the movie.
- The third act must build, build, build in tempo and action until the last event, and then—that’s it. Don’t hang around.